Jacob’s Top In 2016

Jacob Testa
7 min readMar 19, 2024

I’d been meaning for a while to copy over a few things I wrote at Mind Equals Blown to have it all consolidated here, and I’m finally doing it now that the site is no longer online. This is my year-end post for 2016. I’m mostly not changing anything, other than using current formatting and updated links.

Before, during or after looking at my lists, check out What’s Good In 2016. Last year, I said I’d do a better this year with listening to new music. Instead, I listened to (almost all of) my record collection and a handful of really great new albums. I spent more time listening to podcasts and watching the world fall apart. With that said, that handful of really great albums is really great. Be sure to share what you liked or anything I might’ve missed in the comments!

1. Pinegrove Cardinal

Full of twangy magic and visceral lyricism, this record came out of nowhere and was more or less a yearlong favorite. Though it’s only eight songs long, it reaches a full spectrum of thought and emotion sincerely and masterfully. Pingrove pushes the same buttons all of my favorite bands do. If you’ve ever drifted away from friends, moved away from home, or really thought about death, Cardinal should resonate with you. There’s certainly no other album this year that hits me in quite the same way.

2. The 1975I Like It When You Sleep, For You Are So Beautiful, Yet So Unaware Of It

The 1975 did more than avoid a sophomore slump; this record almost makes their debut sound like a bunch of demos at this point. This album almost feels effortless, but albums this well-written and well-produced are decidedly not effortless. The biggest knock is that it’s just too long, so it’s hard to listen to casually. I’d love to hear the more cinematic instrumental work this band is capable of, but maybe not in the middle of all these perfect pop songs. It works, but it’d also work separately.

3. From Indian Lakes Everything Feels Better Now

This album has all the right vibes. Joey Vannucchi’s use of repetition and mastery of rhythmic hooks allow for these songs to dig deep into your brain and live there. While many of the songs have strong atmospheric element, the record never loses its urgency or your attention. Everything Feels Better Now caps off a four-album run that’s more or less unassailable, and it might be the best of them all. If you haven’t checked this one out, put on some headphones and this album and take a long walk. You won’t regret it.

4. Bayside Vacancy

While Cult was the culmination of Bayside’s sound, Vacancy takes that sound and pushes it to the next stage of the band’s career. Anthony Raneri’s lyrics are as vulnerable as ever, and his songwriting has only become more refined over the years. While it’s clear that he’s genuinely struggling with many of the topics discussed on this album, he hasn’t lost the sharpness in his delivery. Tracks like “Not Fair” display how tight the band is, and “Mary” finds the band expanding into new, more Springsteeny sonic territory. I couldn’t ask for much more than that.

5. Every Time I Die Low Teens

Every Time I Die is the best heavy band, and it was easy enough to make that statement before Low Teens. The album somehow makes it even easier to say. The band has perfected everything exciting about metal and hardcore music; that they have one of the best lyricists in music is just icing. Low Teens goes beyond Keith Buckley’s usual wittiness and wordplay to a more emotional and personal level, and it pays off in spades. I love the albums below, but this and the four records above were more than a few notches above everything else in 2016.

Best Album Art: From Indian Lakes Everything Feels Better Now

It’s beautiful, and it looks like what the album sounds like. Doesn’t get much better.

Favorite Live Show: Bayside, and Hawthorne Heights Holiday Acoustic Tour at The Chance in Poughkeepsie, NY, 12/17/16

It’s hard to argue with a full-band acoustic set from one of your favorite bands. Adding another band you grew up with is just icing (though I definitely would’ve loved to hear “Silver Bullet” somewhere in that Hawthorne Heights set). While I might have a few quibbles with Bayside’s setlist for this tour (I saw the Baltimore date, too), the introduction of songs like “Howard” and “Don’t Come Easy” to a live setting easily made up for it. “I Can’t Go On” might be my least favorite song in Bayside’s catalog, but even it sounded great. Anthony sounded like a produced recording, Jack played lots of his crazy riffs on an acoustic guitar, and the whole band seemed to be having the best time. The stage banter was hilarious. In any setting, Bayside is the best live band around.

Biggest Surprise: Kanye WestThe Life Of Pablo

While the release of The Life Of Pablo was certainly anticipated, the same cannot be said for almost anything else about the album (save maybe the genre). From the notepad sign-in sheet and near-constant edits and changing tracklist to the fact that all of the changes happened in public, this was a truly unprecedented release. It was premiered live at a fashion show, was Tidal-exclusive until it wasn’t, and still feels like it’s happening in real time, even though it’s been months since the last change. Other artists changed styles or put out records surpassing their previous work, but Kanye did something completely out of left field. I probably shouldn’t be surprised.

Biggest Disappointment: A Day To RememberBad Vibrations

Although I’m excited that the band is finally free from Victory Records, I can’t say that this record drew me in anywhere as much as any of their previous releases. While the band consistently strives to get poppier and heavier with each album, it’s hard to say that anything on Bad Vibrations hits quite as hard as “2nd Sucks” or gets stuck in your head the way “Right Back At It Again” does. Here’s to hoping that court-approved freedom lets the band get back to form on the next album.

Best New Discoveries:

1. Pinegrove
2. Boston Manor
3. Jack Garratt
4. The Narrative
5. LANY

Most Anticipated:

1. John Mayer
2. Elder Brother
3. Beck
4. Bleachers
5. Speak Low If You Speak Love
6. Punchline
7. The American Scene
8. Pianos Become The Teeth
9. La Dispute
10
. Violents

Oh, and if you’ve ever got fourteen or so hours to kill, here’s almost everything I liked this year, all in one handy playlist: What’s Good In 2016

If you’re curious about what else I’ve liked, here are all of my rankings:

2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019

2020 | 2021 | 2022 | 2023

And my 2010s retrospective: Top 100 Albums of the 2010s

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